Batman: The Animated Series Rewatch: “The Last Laugh” & “Pretty Poison”EditSteven Padnick
“The Last Laugh”
Written by Carl Swenson
Directed by Kevin Altieri
Music by Shirley Walker
Animation Services by Akom Production Co. Episode #004 Original Airdate: September 22nd, 1992
Plot: The Joker attacks Gotham with laughing gas to cover a crime spree, and Batman must chase him down before Alfred and all of Gotham succumbs to permanent madness. This is one of my least favorite episode of the series because it’s so boring. I see what they were trying to do: a long, mostly dialogue-free chase sequence that recalls the Max Fleisher cartoons that inspired the show. However, those Superman cartoons were seven minutes long, and this episode tries to hold my attention with one chase for twenty two minutes and fails.
There’s almost no plot. There’s zero characterization. This episode presents none of the affection we had previously seen between Alfred and Bruce, so we have no reason to understand how important Alfred is to Batman. We don’t even get much interaction between eternal adversaries the Joker and Batman, as the Joker basically plays the Roadrunner all episode. I don’t like the funk score. It clashes with the mood of the piece. And I don’t like that the Joker is again “defeated” when he accidentally trips and almost falls into a chemical vat, just like the end of “Christmas with the Joker.”
There a few nice moments of animation: Batman punching the Joker through a periscope, the Joker’s goons rolling their eyes as the boss makes yet another terrible joke, the reveal of what’s under Captain Clown’s mask (a shot that is straight out of the Fleisher cartoons). And it’s nice to see the Joker in his regular costume, and hear Efrem Zimbalist Jr.’s iconic take on Alfred for the first time, even if his character is underserved in this episode.
That’s it. That’s all I have to say. Let’s move on to a much more interesting episode.
Story by Paul Dini & Michael Reaves
Teleplay by Tom Ruegger
Directed by Boyd Kirkland
Music by Shirley Walker
Animation Services by Sunrise Episode #005 Original Airdate: September 14th, 1992
Plot: Bruce Wayne’s friend, Harvey Dent, has a new lady, Pamela Isley. But when the D.A. is felled by poison, Batman discovers this blushing flower hides deadly thorns as the villainess Poison Ivy.
Hoo boy, let’s get this out of the way, Poison Ivy is a problematic character.
The problem is, while the Joker weaponizes laughter, and the Scarecrow weaponizes fear, Poison Ivy weaponizes being a woman, specifically being a woman in a man’s world. Her modus operandi is seduction, using her sensuality and apparent vulnerability to manipulate the powerful men around her, lure them into traps, and then destroy them. She also traps men with animated vegetables, but more importantly she kills with a kiss. And she’s always been portrayed as a temptress, going back to 1966 when she was created as a Bettie Page knock-off.
The character speaks directly to adolescent male fears about women. Poison Ivy is powerful, because she’s sexy. Poison Ivy is dangerous, because she’s sexy. She distracts men, divides men, makes them weak. It’s not a coincidence that Pamela is introduced breaking up best friends Harvey and Bruce, and the episode ends with Batman being pulled into a fairly blatant representation of vagina dentata. Diane Pershing delivers Ivy’s lines in a breathy whisper that barely conceals her massive intelligence, oak-hard resolve, and toxic disdane.
If this is what the show thinks is “the power of women,” then that would be horrifically misogynistic. The way the writers (especially Paul Dini, who gets his first writing credit here) make it work, and I think they do make it work, is by contrasting Ivy with the other major female characters: Catwoman, Talia, Batgirl, Renee Montoya (who also makes her first appearance here) and, especially, Harley Quinn. There are lots of different powerful women in the Batman universe, and they are powerful in different ways. Being a sexy seductress is specifically what Ivy believes makes a woman powerful, and of course she’s wrong.
But let’s get to the episode at hand. Like “The Last Laugh,” “Pretty Poison” wears its influences on its sleeves. The first two-thirds of the episode are a Batman-ish take on 1940s film noir: the femme fatale, the amateur detective, interrogations held under hanging lamps, worried doctors anxiously looking over charts, deep shadows, jazz music. It’s also one of the most overtly sexual episodes, with Pamela and Harvey’s uncomfortably long kiss, Ivy’s hip-swaying walk out of the restaurant (in a dress inspired by Jessica Rabbit), and her strip tease behind the modesty screen as Batman steals into her private greenhouse. It could be a Howard Hawks movie, until a trapdoor opens and reveals a superhero’s world of giant carnivorous plants and sexy Eve costumes complete with wrist-mounted crossbows.
When we’re still in film noir mode, this episode has some of the best character work so far, particularly concerning Harvey Dent and Bruce Wayne. The flashback reveals that they have been friends for at least five years by this point. Harvey comments on Bruce’s wealth, and Bruce pays for the meal, suggesting a strong financial difference between the two. On the other hand, Harvey Dent has the respect that Bruce lacks. They trust each other enough to listen to each other’s advice, but not completely. Harvey’s line, “there’s nothing we don’t know about each other,” is doubly ironic. Obviously, he doesn’t know Bruce is Batman, but we’ll later learn that Harvey is keeping a big secret from Bruce as well.
It’s also nice to see that when he isn’t hunting Batman, Bullock is a good detective and a loyal bloodhound for Commissioner Gordon. (Though, once again, Batman withholds evidence by stealing Dent’s blood sample. You’d think the doctor, if not the police, could use that.)
The weakness of the mystery aspect of the show is that the episode is only 22 minutes long. Who poisoned the District Attorney? Well, even if you didn’t know Batman has an established villain named Poison Ivy, the title card and the fact that one new character is introduced point pretty loudly to Pamela Isley’s guilt right away. We know she did it, the only real question is why.
And once we’re in superhero world, “Pretty Poison” becomes another revenge origin story. Ivy wants to kill Dent for unknowingly destroying a rare rose. It’s certainly better than the Scarecrow’s revenge origin, first because death by seduction is a more interesting crime than fear gas, and also because her stated motive is a lie she tells herself. She says she fights for the trees, like a busty Lorax, but the fact is Dent didn’t kill her roses, her roses are right there in her greenhouse, and she’s willing to destroy them in order to extract her revenge. This will become much clearer in later episodes, but Ivy’s protestations of environmentalism and feminism are just rationalizations for her need to hurt and control people. Ivy doesn’t want a forest, she wants a garden, one she can prune as she wishes. Remember that idea, because it’s only going to get darker as the series goes on.
Steven Padnick is a freelance writer and editor. By day. You can find more of his writing and funny pictures at padnick.tumblr.com. Batman: The Animated Series Rewatch: ‹ previous | index | next ›Batman: The Animated Series | television | Batman | Batman: TAS Rewatch | Revenge Origin | rewatches | Joker | Poison IvyRelated Posts “If You’re So Smart, Why Aren’t You Rich?” & “Joker’s Wild”“Trial” & “Avatar”“The Mechanic” & “Harley and Ivy”“Almost Got ‘Im”“The Laughing Fish” & “Night of the Ninja” 9 comments1. J WILLES Sunday October 07, 2012 12:45pm EDT "Doubly Ironic"
- snort*2. John R. Ellis Sunday October 07, 2012 03:54pm EDT You leave out in your Ivy analysis that later episodes (most notable House and Garden) make it clear that Pamela isn't dangerous because she's a beautiful, seductive woman, therefore innately evil (ugh)...she's dangerous because she's ill. Ivy is really and truly broken, mentally. She wants love, but lacks the emotional and spiritual health to find it in ways that aren't destructive and hurtful. Even Batman ends up feeling sympathy for her.3. jahn Sunday October 07, 2012 07:39pm EDT Holy crap I never thought about that. I remember HATING the eps with Poison Ivy in them as a kid precisely because of those innate adolescent fears of girls. I think I averted my eyes for most of this episode as an 8 year old and never really saw it to its fullest until I was twnety. Although, I loved how this episode ended with a face-off between Poison Ivy and Batman while Bats is hanging over a pit, and he holds up the potted rose and says, "The antidote. For the weed," in a voice that sounds like a cement slab being dragged across glass. Bad. Ass. Though nearly undone by a different type of strength.
Compared to the Joker's line from the first episode, "When the going gets tough, the tough go shopping!" Sigh.4. Hedgehog Dan Monday October 08, 2012 05:52am EDT Funny, I never feared Poison Ivy - despite Ivy did some really scary thing, like turning people into trees -, the only Batman villain which scared me was Two-Face.
And I really liked, when she teamed up with Harley Queen, who just left Joker.5. roblewmac view all by roblewmac | Thursday October 11, 2012 04:08pm EDT There IS charcterization in Last Laugh. Joker Who does not care about people one bit; is ENRAGED when Batman kills his robot!6. ChristopherLBennett view all by ChristopherLBennett | Saturday October 13, 2012 06:44am EDT Never thought much of "The Last Laugh," and it's my least favorite B:TAS musical score.
"Pretty Poison" is excellent. The opening sequence intercutting between Batman in action and Harvey unknowingly saying apropos things about Bruce is a little awkward, but otherwise it was good, and the animation was really good. Ivy never again looked as beautiful as she did here. Terrific score, too.7. ThePendragon view all by ThePendragon | Thursday October 25, 2012 08:18pm EDT Oh wow, I can't believe the hate for the Last Laugh Score. It's one of my favorite scores of all time, and I can't get it out of my head to this day. It's been 20 years and that song is still stuck in my head! I also very much enjoyed that episode, mainly because of the score.8. ChristopherLBennett view all by ChristopherLBennett | Friday October 26, 2012 01:20pm EDT @7: That's part of why I hated the "Last Laugh" score so much -- because I couldn't get it out of my head no matter how much I wanted to.9. agratz view all by agratz | Monday November 12, 2012 01:19am EST I enjoy Pretty Poison, but I think I much prefer the design of the more pixie-like, pallid Ivy of TNBA. There are times in this episode when it looks like Ivy is absolutely going to fall out of her costume. She's so buxom it's ridiculous.
But I do like this episode a lot--particularly in how we see Dent show up here BEFORE he becomes Two-Face. Like when they put Harvey in the first Burton Batman movie. (And who didn't want to see Billy Dee Williams' Two-Face!?)
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